Mark Walker Curriculum Vitae

Education

• Bachelors in Professional Studies, Berklee Online, Class of 2019 (Summa Cum Laude)

Interdisciplinary Studies Major (Emphasis on composition/arranging, music production/songwriting, music business)

• Master of Music, University of Massachusetts Amherst, Class of 2022 Jazz Composition/Arranging Major

• Private drum set and percussion studies with Roy Knapp, Joel Spencer, Milton Cardona, Michael Carvin and Jerry Leake

• 2nd Degree Black Belt (Jinwon II) in Tae Kwon DoInternational Association for World Peace, Chicago, IL

Teaching Experience at Berklee College of Music 2001-2023

• 2001-2008: Associate Professor of Percussion Berklee College of Music, Boston, MA

• 2008-present: Professor of Percussion Berklee College of Music, Boston, MA

Curriculum development

Authored and prototyped the following drum set courses at Berklee:

ILPD-357 South American Rhythms for Drum Set – In this course, students listen to traditional

and contemporary examples of music from Peru, Brazil, Uruguay, Argentina, Venezuela, and

Colombia with a focus on the percussion rhythms and their application to the drum set. They learn

and practice learn sample percussion patterns, how to orchestrate these rhythms on different parts

of the drum set and how to improvise in an authentic way in a modern setting. Each week, they

perform assignments in specific genres and styles.

ILPD-424 Caribbean Rhythms for Drum Set - In this course, students listen to traditional and

contemporary examples music from Jamaica, Haiti, Dominican Republic, Cuba, Trinidad, Puerto

Rico, Martinique, Guadeloupe and Curaçao with a focus on the percussion and the

Application of the rhythms to the drum set. Students learn sample percussion patterns, performing

them on percussion instruments and adapting them to the drum set. They also learn how to

orchestrate these rhythms on different parts of the drum set and how to improvise in an

authentic way in a modern setting.

ILBS – 268 Funkifying the Clave (with bassist Lincoln Goines) - This course, for drummers and

bassists, uses the study of Afro-Cuban music as a departure point into other styles, demonstrating

how to apply folkloric elements to jazz, funk, rock, pop, odd-meters, and hybrid rhythms over a

common pulse. Numerous styles are analyzed, studied, and memorized. This course is designed to

allow the student to gain a working knowledge of Afro-Cuban music and its application to other

styles and refine groove and articulation.

OPERC-324 Afro-Cuban Drums (Berklee Online) – Learning outcomes for students are as

follows:

• Recognize different Afro-Cuban styles, such as guaracha, mambo, cha cha chá, songo, and

bembé (6/8)

• Know, recognize, and feel the clave (key) direction

• Play son clave, rumba clave, and 6/8 clave on the drum set with different orchestrations

• Adapt various Latin percussion patterns to the drum set

• Play the cascara (shell) pattern on different parts of the set

• Play the bongo and mambo cowbell patterns

• Coordinate the dominant right-hand patterns with clave

• Play and coordinate the tumbao (conga part) on the drum set

• Coordinate the bass drum tumbao and various foot patterns for hi hat

• Make smooth transitions between different sections in the music

• Improvise solo phrases "in clave"

• Perform cierres (breaks) with and without percussion

• Apply Afro-Cuban rhythms in different contexts

Ensembles Taught at Berklee

• Mixed Styles – Beginner/intermediate level

• Latin Jazz - Intermediate to advanced level

• Advanced Jazz Ensemble – Highest level

• Ensembles utilizing faculty – Performing and recording at the college and other venues.

These include trios, quartets, sextets and large ensembles.

Other Classes Taught at Berklee

• Private Instruction

• Recital Preparation

• Drum labs – Levels 1-4

• Chart Reading and Interpretation

• ILPH-359 Brazilian Rhythms and Percussion

• ILPH-357 Afro-Caribbean Percussion

Clinics/Performances for Berklee outside of USA:

• Kobe, Japan

• Bogota Colombia - Berklee Latino

• Mexico City – Berklee Latino

• Quito, Ecuador

Audition and Interview:

• Phoenix

• New York

• Denver

• Boston

• Santo Domingo

Student Recruitment

• NAMM

• PASIC

• IAJE

• JEN

Other Teaching Positions

• Jazz Faculty, New England Conservatory of Music Fall (2021-present)

Teach ensembles, private drum set instruction

• Faculty, Drummers Collective, New York City (1995-2001)

• www.markwalkerlessons.com online video lessons (2013-present)

• Sound Post School of Music, Evanston, IL (1979-1981)

Clinics and masterclasses in the following cities and venues (1992-present):

• Carnegie Hall Workshops

• Hamburg School of Music, Hamburg, Germany

• Brigham Young University

• Montevideo, Uruguay

• Koyo University, Kobe, Japan

• University of Iowa

• Duquesne University

• Vic’s Drum Shop, Chicago, IL

• University of Southern California

• Portland State University

• Percussive Arts Society International Convention, Indianapolis, IN

• PASIC online

• Milan, Italy

• University of California – San Diego

• Hamburg School of Music, Hamburg, Germany

• Hartford, CT

• Hokkaido Groove Camp, Sapporo, Japan

• IAJE International Convention, Toronto, Canada

• Elmhurst College, Elmhurst, IL

• Honschule, Berlin, Germany

• El Club de Bateristas, Buenos Aires, Argentina

• Los Angeles Music Academy, Los Angeles, CA

• Wichita State, Witchita, KS

• Penn State, Pittsburgh, PA

• Roosevelt University, Chicago, IL

• Estudio Arte, Rio de Janeiro, Brazil

• Rio Musica, Rio de Janeiro, Brazil

• PAS Illinois Day of Percussion, Elmhurst College

• PAS Day of Percussion, Boston, MA

• Sherwood Conservatory, Chicago, Illinois

• EMMAT Bogota, Colombia

• Mt. Lebanon H.S., Mt. Lebanon, PA

• Vandercook College of Music, Chicago, IL

Coached ensembles with emphasis on Pop, Caribbean, South American, Jazz and

R&B styles:

• Brigham Young University

• Valencia, Venezuela

• Roosevelt University

• Worcester Polytechnic University

• Hokkaido Groove Camp

• Koyo University, Kobe Japan

• Berklee

• Duquesne University

• University of Iowa

• Drummers Collective

• Wichita State, Witchita, KS

• Jazz Mania, Rio de Janeiro, Brazil

• Estudio Arte, Rio de Janeiro, Brazil

• Rio Musica, Rio de Janeiro, Brazil

• Northern Illinois University, Decatur, IL

• Birch Creek Music Camp, Door County, WI

• Vandercook College of Music

Clinics presented with other artists:

• Sakesho, featuring Andy Narell, Mario Canonge & Michel Alibo – Middle School Erie,

PA (2004)

• Paquito D’Rivera – Berklee College of Music (2002) William Patterson College, Wayne,

NJ (2000), Midwest Band & Orchestra Clinic, Chicago, IL (1997), Carnegie Hall

Workshops

• Oregon, featuring Ralph Towner, Paul McCandless and Glen Moore - Cal Arts, Los

Angeles, CA (1998), Fierwerk e.V., Munich,Germany (1997), Tom Lee Music, Vancouver,

B.C. Canada (2000), Penn State, Pittsburgh, PA, (2002), Henry Mancini Institute, Los

Angeles, CA (2003)

• Caribbean Jazz Project (Paquito D’Rivera, Dave Samuels, Andy Narell) - Brigham

Young University, Provo, Utah, (1996), University of Colorado at Boulder (1995)

• Jesus “Chucho” Valdes, Joaquin Oliveros, Roberto Carcasses, - Berklee College of Music,

Boston, MA (1996)

• Carlos Emilio Morales, Oscar Stagnaro - Berklee College of Music, Boston, MA (1995)

• Oscar Stagnaro – IAJE, Toronto, Canada (2003)

• Lyle Mays, Marc Johnson, Bob Shepard - Musicians Institute of Technology, Los

Angeles, CA (1993), El Club de Bateristas Argentinos, Buenos Aires, Argentina (1992)

• Larry Novak and Bill Watrous - University of Wisconsin, Madison, WI (1986)

• Dan Moretti - Litchfield Music Camp, Litchfield, CT (1999), I.A.J.E. conference, Chicago,

IL (1997)

• Giovanni Hidalgo - Teatro Nacional, San Jose, Costa Rica (1998)

• Steve Rodby and Michael Cocour - Northwestern University, Evanston, IL (1993)

Workshops and presentations for children:

• 1st Congregational Church Pre-K (2006)

• Prospect Nursery School, Maplewood, NJ (2004)

• Penn State University with Caribbean Jazz Project (1995)

• Various K-8, Middle and High Schools in the Chicago area with percussion ensembles led

by Russ Knutsen and Bruce Carver (1983-86)

Private students – Drum set:

• 2001-present, Professor, Berklee College of Music

• 2021-present, New England Conservatory

• 1997-2000, Drummers Collective, New York, NY

• 1979-present, private students worldwide

• 1979-81 Sound Post School of Music, Evanston, IL

Online Instruction

• www.markwalkerlessons.com has operated since 2013 and offers online video drum set

instruction.

• Private instruction on Zoom and Skype – Since 2008

Book/CD projects:

• “World Jazz Drumming” instructional book/CD (Hal Leonard/Berklee Press) 2006

• “Killer Grooves” instructional book featuring various artists (Carl Fischer) 2004

• Paquito D’Rivera - “Latin, Caribbean, Jazz and Beyond”, Jamey Abersold play-along CD

• Oscar Stagnaro “The Latin Bass Book - A Practical Guide”

• Dr. Stephen Rosenholtz “Monkey Moves” and “Move Like the Animals” - the Feldenkreis

method adapted for children

• Dave Samuels, “Latin Quarter” Jamey Abersold play-along CD

Awards and Recognition

• 2020 Downbeat Magazine Student Award with UMass graduate composer’s ensemble in

the category of “best asynchronous Latin ensemble” for composition and performance of

“The Time’s Now.”

• 2019 Modern Drummer 2019 Readers Poll - 4th Place in the category of Best

Clinician/Educator

• 2016 Grammy Award winner (Best Latin Jazz Album) for Paquito D’Rivera “Jazz Meets

the Classics” recorded live at J@LC

• 2007 Grammy Award winner (Best Latin Jazz Album) for Paquito D’Rivera “Funk

Tango”

• 2007 Grammy Award nominee (Best Instrumental Composition) for “Deep Six,” recorded

by Oregon

• 2005 Grammy Award nominee (Latin Jazz performance) for Dave Samuels/Caribbean

Jazz Project CD, “Here and Now: Live In Concert” (Concord)

• 2003 Grammy Award nominee (Latin Jazz performance) for Dave Samuels/Caribbean

Jazz Project CD, “Birds of a Feather” (Concord)

• 2002 Grammy Award nominee (Latin Jazz performance) for the soundtrack to the

documentary “Calle 54”

• 2001 Latin Grammy Award winner (Instrumental album) for Paquito D’Rivera’s “Live at

the Blue Note” (Half Note)

• 2001 Grammy Award nominee (Latin Pop) for Donato Poveda’s “Bohemio Enamorado”

(BMG)

• 2000 Latin Grammy Award winner (Instrumental album) for Paquito D’Rivera’s

“Tropicana Nights” (Chesky)

• 1997 Grammy Award winner (Latin Jazz performance) for Paquito D’Rivera’s “Portraits

of Cuba” (Chesky)

• 2000 Grammy Award nominee (Latin Jazz performance and arrangment) for Paquito

D’Rivera’s “Tropicana Nights” (Chesky)

• 2000 Grammy Award nominee for Oregon’s “Oregon in Moscow” double CD (Intuition)

• 1998 Grammy Award nominee (Latin Jazz performance) for Paquito D’Rivera’s “Paquito

D’Rivera and the United Nation Orchestra Live at Manchester Craftsmen’s Guild” (MCG)

• 1998 Association for Independent Music Indie award winner (Contemporary Jazz) for

Oregon’s “Northwest Passage” (Intuition)

• 1998 Winner, Jazz Award, Bundesverband Der Phonographishchen Wirtschaft E.V.

(National Association of German Phonograph Manufacturers) for Oregon’s “Northwest

Passage” (Intuition)

• 1997 Grand Prize Winner, Jazziz Magazine’s “Percussion on Fire” competition, drums,

percussion, co-composition, arrangement, production and mixing for Mark Walker’s

“Supercollider”

• 1997, 2000, 2003 Recipient of the International Association of Jazz Educators’

certificate of appreciation for “Outstanding Service to Jazz Education”

• Berklee Faculty Development Recording Grant, two-time recipient; Also participated in

various grant recording projects with faculty members/admins Yulia Musayellyan

(Guilford), Phil Wilson, Matt Marvuglio, Jane Miller, Daryl Lowery

Recordings

Mark Walker

• “You Get What You Give” Mark Walker, featuring Paquito D’Rivera (Fliposphere)

released 2019

• “Rhythm of the Americas: Latin Drums” drum sample/loop set (Sampleheads)

• “Chameleon Drums” drum sample/loop set (Sonic Stop)

• Forthcoming big band CD of original music to be released in 2022.

• Produced a hip hop remix for Kon Boogie (“Perfect” 2019)

• Produced a CD for Sesame Street’s Bob McGrath, entitled “Rhythm Band Set,” using

rhythms of Cuba, Japan, Egypt and the USA.

Mark Walker and Dave Onderdonk Duo:

• “Loose Contact” Co-production, co-composition, arrangement, bass and electronic

percussion programming by Mark Walker (Southport)

• “Jazziz Guitar Sampler” April 1996 limited edition CD (Jazziz Magazine) Winner, Jazziz

“Guitar on Fire” Competition, 1995

Oregon (with Ralph Towner, Paul McCandless and Glen Moore):

• “Lantern” (Cam Jazz)

• “1000 Kilometers” (Cam Jazz)

• “Family Tree” (Cam Jazz)

• “In Stride” (Cam Jazz)

• “Prime” (CamJazz)

• “Oregon Live at Yoshi’s” (Intuition)

• “Oregon in Moscow” Double CD with Moscow State Orchestra (Intuition) – (Grammy

Award Nominated)

• “Northwest Passage” (Intuition)

Paquito D’Rivera:

• “Tico!Tico!” (Chesky)

• “Reunion” with Arturo Sandoval, Giovanni Hidalgo, Danilo Perez (Messidor)

• “La Habana-Rio Conexion” (Messidor)

• “Portraits of Cuba” (Chesky) (Grammy Award Winner)

• “Paquito D’Rivera & the United Nation Orchestra Live at Manchester Craftsmen’s Guild”

(MCG) (Grammy Award Nominated)

• “100 Years of Latin Love Songs-Paquito D’Rivera with Strings” (Heads Up International)

• “Tropicana Nights” 1999 (Chesky) (Grammy Award Winner)

• “Calle 54” film soundtrack (Grammy Award Nominated)

• “Paquito D’Rivera Quintet Live at the Blue Note” (Half Note) (Latin Grammy Award

Winner)

• “Big Band Time” with Claudio Roditi, Bill Dobbins and the WDR big band (Termidor-

Universal)

• “Funk Tango” (Paquito) (Grammy Award Winner)

• “Jazz Meets the Classics” (Paquito) (Latin Grammy Award Winner)

• “Panamericana Suite” (MCG) (Latin Grammy Award Winner)

• “Calle 54” Soundtrack (Miramax) (Grammy Award Nominated)

The Caribbean Jazz Project (with Paquito D’Rivera, Dave Samuels and Andy Narell):

• “The Caribbean Jazz Project” (Heads Up International)

• “Island Stories” enhanced CD (Heads Up International)

• “Puerto Rico Heineken Jazz Fest ‘96” (Benefiting the Heineken Jazz Workshop Fund)

• “World Christmas” Benefiting the 1996 Special Olympics (Metro Blue/Capitol)

• “Birds of a Feather” (Concord) featuring Randy Brecker and Romero Lubambo (Grammy

Award Nominated)

• “Here and Now: Live In Concert” (Concord) (Grammy Award Nominated)

• “Mosaic” (Concord)

• “Schuur Fire” featuring Diane Schuur and Oscar Castro-Neves (Concord)

Lyle Mays:

• “The Ludwigsburg Concert” Lyle Mays Quartet with Marc Johnson and Bob Shepard

(SWR)

• “Moses the Lawgiver” video soundtrack (Rabbit Ears)

• “The Lion and the Lamb” video soundtrack (Rabbit Ears)

• “Mustang: The Hidden Kingdom” film score (Discovery Productions)

WDR Big Band:

• “Misa Afro-Cubana” with Michael Philip Mossman, Juan Pablo Torres

• “Mambo Nights” with Arturo Sandoval and Michael Philip Mossman

• “Tango y Postango” with Nestor Marconi and Gerardo Gandini

• “Big Band Time” with Paquito D’Rivera, Claudio Roditi and Bill Dobbins

NDR Big Band/Joe Gallardo

• Latin Jazz Latino

Andy Narell:

• “Fire in the Engine Room” (Heads Up International)

• “Tatoom” (Heads Up)

Rudy Calzado and Cubarama (big band):

• “Tribute to Mario Bauza” with Paquito D’Rivera and Jane Bunnett (Connector)

Jon Weber:

• “Simple Complex” with Gary Burton, Niels Henning Orsted Pedersen, Roy Hargrove,

Eric Alexander, Avishai Cohen and others (Second Century Jazz)

Nelson Riveros

• “The Latin Side of Wes Montgomery” (Zoho), currently #2 on Jazz Week

Douglas Olsen

• “Two Cents,” with Dave Zinno, Tim Ray, Dino Govoni, Ernesto Diaz

Patricia Barber:

• “Split” (Floyd)

• “Cafe Blue”(Premonition/Blue Note)

• “Modern Cool” with Dave Douglas (Premonition)

Michael Philip Mossman:

• “Mama Soho” with Bob Mintzer, Kenny Drew, Jr., James Genus, Bobby Sanabria (TCB)

Dave Liebman, Don Braden and Dan Moretti:

• “Latin Genesis” (Whaling City Sound)

Steve Khan

• “Backlog” with Mike Mainieri, Randy Brecker and Bob Mintzer

Fareed Haque:

• “Opaque”(Blue Note)

Paul McCandless:

• “Premonition” with Lyle Mays, Steve Rodby (Windham Hill Jazz)

• “Torches on the Lake” with Spencer Brewer (Access)

Ana Belén:

• “Lorquianas Vol 2.” produced and arranged by Michel Camilo (BMG)

William Cepeda:

• “Afro Rican Jazz - My Roots and Beyond” with Paquito D’Rivera, Slide Hampton, Yomo

Toro (Blue Jackal)

Fred Simon:

• “Usually/Always” with Paul McCandless, Steve Rodby (Windham Hill)

• “Open Book” with Steve Rodby (Columbia)

• “Since Forever” with Steve Rodby and Paul McCandless

Michael Manring:

• “Drastic Measures” with Paul McCandless (Windham Hill)

• “Summer Solstice-A Windham Hill Collection” with Paul McCandless (Windham Hill)

Akio Sasajima:

• “Akio with Joe Henderson” with Joe Henderson (Muse)

• “Hokkaido Horizon” with Randy Brecker (MAY)

• “Silence Between the Notes” with Randy Brecker and Will Lee, to be released in the U.S.

on Walker’s Fliposphere label in 2023

Rob Parton’s Jazztech Big Band:

• “What Are We Here For?” (Sea Breeze)

Dr. Christopher Lemons:

• “Kampfmusik”

• “Fantasy & Icon” with the State Orchestra of Lithuania

• “Control/Refugee”

Linda Eder:

• “It’s Time” (Atlantic)

• “And So Much More” (Angel)

• “It’s No Secret Anymore” (Atlantic)

• “The Scarlet Pimpernel” with Peabo Bryson (Angel)

• “Jekyll and Hyde” Broadway cast album (Angel)

Donato Poveda:

• “Bohemio Enamorado” (BMG) (Grammy Award Nominated)

Chayanne

• “Grandes Exitos” (BMG)

Dennis DeYoung:

• “Ten On Broadway” (Atlantic)

Greg Abate

• “Motif” (Whaling City Sound) with Tim Ray & John Lockwood

• “The Road to Forever” (Whaling City Sound) with Tim Ray & John Lockwood

• “Gratitude: Live at the Z” (Whaling City Sound) with Tim Ray & John Lockwood

Tim Ray Trio with John Lockwood

• “Windows” (Whaling City Sound)

• “Fire and Rain” (Whaling City Sound)

Daniela Schacter

• “Vanheusenism” with Mike Tucker, John Lockwood

Chris Hunter:

• “Big Trip” with Gil Goldstein, Ross Traut, Mark Egan, Chuck Loeb (Sweet Basil

Nelson Rangell:

• “Always” (Shanachie)

Marlene Rosenberg:

• “Waimea” with Dennis Luxion (Lake Shore Jazz)

Film and Video Soundtracks

• “Groundhog Day”

• “Mustang: The Hidden Kingdom” (Documentary of Tibet, Music by Lyle Mays)

• “La China Rosa” (With Paquito D’Rivera)

• “Bossa Nova” (featuring Eumir Deodato)

• “Moses the Lawgiver” (Lyle Mays)

• “The Lion and the Lamb” (Lyle Mays)

• “Calle 54” (Paquito D’Rivera)

• “Destination: Mars: The New Frontier”

Touring

• 2022-Present Arturo Sandoval

• 1989-Present Paquito D’Rivera

• 1997-2017 Oregon (with Ralph Towner)

• 1995-2016 The Caribbean Jazz Project

• 2005-2008 Diane Schuur with the Caribbean Jazz Project

• 1997-Present Michel Camilo

• 1998-2018 Andy Narell

• 2005 Rosa Passos

• 2001-2010 Eliane Elias Trio

• 2003 New York Voices “Brazilian Dreams” featuring Paquito D’Rivera

• 1991-92 Paul McCandless Group featuring Lyle Mays and Steve Rodby

• 1994-98 The United Nation Orchestra

• 1992-94 Lyle Mays Quartet

• 1994 Howard Levy

• 1994 Fareed Haque

• 1996 – present Akio Sasajima

• 1996-2001 Cesar Camargo Mariano Quartet with guests Diane Reeves, Michael

Brecker, Ivan Lins, Milton Nascimento and João Bosco

• 1998-2004 The WDR Big Band with various guests, including Paquito D’Rivera,

Arturo Sandoval, Vince Mendoza, Airto, Mike Manieri, DonAlias, Andy Narell,

Rosa Passos, David Rudder, Claudio Roditi, Michael Philip Mossman, Juan

Pablo Torres, Gerardo Gandini, Nestor Marconi, Ernst Reisling, Alex Acuña

and Xiomara Laugert

• 1994-present The NDR Big Band with various guests, including Paquito D’Rivera,

Claudio Roditi, Hendrik Meurkens, Michael P. Mossman, Alon Yavnai, Joca

Perpignan

• 1990-91 Arturo Sandoval (record Mambo Nights with WDR big band)

• 1997-2001 “Latin Genesis” with David Liebman, Dan Moretti, Don Braden

Oscar Stagnaro and Pernell Saturnino

• Also performed professionally with Dizzy Gillespie, Randy Brecker, Wynton

Marsalis, Mark Turner, Jack DeJohnette, Bobby McFerrin, Dr. John, Sammy

Davis Jr., Peggy Lee, Amadito Valdes, Luis Conte, Jon Faddis, the National

Symphony Orchestra conducted by Leonard Slatkin, Gunther Schuller, Ray

Barretto, Sheila E., Christian McBride Big Band, Tito Rojas, Eddie Palmieri,

Eddie Johnson, Steve Turre, John Helliwell (Supertramp), Jerry Goodman

(Mahavishnu Orchestra), Big Brother and the Holding Company, Filo

Machado, Leny Andrade, Simone, James Ingram, Double Image (with Dave

Samuels and David Friedman), Milton Cardona, Pedrito Martinez, Edward

Simon, Danilo Perez, Karrin Allyson, and Trinidad All Stars Steel Band.

As a Leader

• Released debut album “You Get What You Give,” featuring Paquito D’Rivera in 2019

• Concerts in various international locations: Valencia, Venezuela, Rio DeJaneiro, Brazil, Chicago, IL, Boston.

• Recording new big band CD at Berklee in 2023 featuring Berklee faculty and students.

Television, video, and film appearances:

• Performing on camera in “Calle 54”, Fernando Trueba’s film documentary of Latin Jazz

with Paquito D’Rivera and Panamerica

• “PBS Presents Linda Eder in Concert”

• “The Rosie O’Donnell Show” (with Linda Eder)

• “Late Night with David Letterman” (with Linda Eder)

• Numerous appearances on European television (with Oregon, Paquito D’Rivera, Michel

Camilo, the Caribbean Jazz Project, Andy Narell, Rosa Passos, David Rudder, the WDR

Radio Big Band, the NDR Radio Big Band, Cesar Camargo Mariano)

• Appearances on Brazilian and Argentinean television (with Lyle Mays, Cesar Camargo

Mariano, Michael Brecker, Ivan Lins, Dianne Reeves)

• Black Entertainment Television “BET on Jazz” 1995 with Caribbean Jazz Project

Endorsements and Affiliations

• 1996-present: Yamaha drums

• 2002-present: Paiste cymbals

• 1995-present: Remo drumheads

• 1989-present: Vic Firth sticks

• 2017-present: Meinl Percussion

• 2020-present: Prologix Percussion

Composing/Arranging

• Grammy Award-Nominated BMI affiliated composer since 1993

• CEO of Fliposphere Music Publishing

• Independent composer/arranger for music licensing at World of Rhythm and Epic Drums.

• Has been commissioned by Paquito D’Rivera and Oregon to write arrangements and original pieces for recordings and live performances.

• Has written for various configurations including small group, big band, steel band and percussion ensemble.

• Is proficient with Reason, Ableton Live, Logic, ProTools, Final Cut Pro and Finale. Has composed electronic compositions and produced remixes for hip hop artists such as Kon Boogie.

• Walker’s original tracks have been heard in documentaries, ads, sports programs on major network television, radio, and internet.